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NATHAN ALTMAN
ORIGINAL ART
НАТАН АЛЬТМАН

Portrait of N. E. Dobychina (Fishman) (1884-1950). Charcoal on paper, signed and dated 1921 lower right. 17x13” Exhibited: “Faces of Russia”, February 2007, West Palm Beach International Art Fair, USA (illustrated on page 28 of the catalog). Bibliography: “A Time to Gather… Russian Art From Foreign Private collections”, State Russian Museum, Saint-Petersburg, Palace Editions,2008, illustrated on p.23.Another earlier portrait of N. E. Dobychina by Altman is illustrated in B. Arvatov “Nathan Altman” Petropolis 194, p. 24 ill 12 Also compare with her portrait by A. Golovin illustrated in Russian Jewish Artists, The Jewish Museum NY,1996, p. 50, ill. 10. In original Tuscan or Bolognese seventeenth century carved and gilded frame with plain sight, centered raking gadrooned raised outer edge, running from centers to corners, scrolling acanthus central plate with pronounced leaf centers, and stylized leaf back edge (Provenance for the frame: lot 63, Estate of Eugene Bernald, Doyle at Home, 11.03.2004, New York; compare: lot 37 Christie’s Fine Picture Frames South Kensington 29.11.1990 4-6.000GBP; Bonhams Fine Frames, 8/12/04, lot 119)

Portrait of an old Jew (Uncle of the artist). Oil/canvas, signed l.r. in Cyrillic. 86 x 74 cm 34x 30”. Bibliography : ­ Mark Etkind, Nathan Altman, editions d'Art, Dresden, 1984, p. 32; Mark Etkind, Nathan Altman, editions Les peintres soviets, Moscow, 1971, pl. 29; ALTMAN Nathan. B. Arvatov. Berlin, 1923. Exhibited: “Faces of Russia”, February 2007, West Palm Beach International Art Fair, USA (illustrated on page 28 of the catalog). In original Tuscan-Emilian sixteenth century hand-carved and gilded frame with an all over foliate carving and scroll design inset with beaded motif and a carved twist border. COA by Dr. Anthony Parton is available on request)

Draft of a poster for Culture League exhibition in Moscow March-April 1922 (with participation of N. Altman, M. Chagall and D. Shterenberg; Culture League was a famous cultural and political association of Jewish artists of the 1920-s – 30-s in Russia and Ukraine). Indian ink on paper, signed with initials and dated (19)22 low left; inscribed with a critical comment addressing revolutionary events in Russia on the left margin. On the reverse: a cubistic scene of two nude figures with a title in Aramaic(?). 4x8 inches. Bibliography: Nathan Altman. Text by Mark Etkind. VEB Verlag der Kunst Dresden, 1984 (a final version of the poster is illustrated on page 178; a similar cubistic drawing is illustrated on page 78) Provenance: estate of Alexander Leonidovich Pasternak (brother of the poet Boris Pasternak) – was put into the book that Nathan Altman presented to Alexander Pasternak in 1966 - see item below

Portrait of Luis Lozowick Crayon, signé en bas à gauche. 43 x 33 cm Provenance CRAIT - MULLER Commissaires Priseurs associés sale Drouot 29.09.2017 lot 93

  1. ALTMAN Nathan. B. Arvatov. Nathan Altman. Copy N288/500 inscribed by the artist to A. Pasternak. Berlin,1923 - Provenance: estate of Alexander Leonidovich Pasternak (brother of the poet Boris Pasternak)

    $1000

BIOGRAPHY OF THE ARTIST

Altman, Nathan (1889 Vinnitsa - 1970 St. Petersburg)

1901-1907 Studied in the art school in Odessa. 1910-1912 Worked at the Free Russian Academy in Paris. Took part in Futurist exhibitions & publications. Painter, book & set designer. Натан Исаевич Альтман родился в 1889 году в Виннице, Украина. Обучался живописи в Одесской художественной школе в 1902-1907. Позже Альтман возвращается в Винницу и начинает работать самостоятельно. В конце 1910 года Альтман отправляется в Париж. В конце 1912 года Н. Альман приезжает в Санкт-Петербург. Появил себя как представитель кубизма. В 1915 году написан знаменитый портрет Анны Ахматовой. После большевитской революции 1917 года Н.Альман активно участвует в общественной жизни и это отражается в его работах, которые очень "идейно-выдержанны". Романтика и пафос революции. Он делает серию графических портретов В. И. Ленина. В 1928 году он вновь уезжает во Францию, занимается живописью, пишет много пейзажей в своем оригинальном стиле и в традициях импрессионизма, делает иллюстрации к "Петербургским новеллам" Н. В. Гоголя, к "Ветхому завету", а также иллюстрирует детские книги. В 1935 году возвращается в Ленинград. В советский период Альтман строго придерживается соц реализма, но ему "дозволено" иллюстрировать детские книги. Альтман умер в 1970 году в Ленинграде.

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